The Escapades of a lark...

L'elisir d'amore composed by Gaetano Donizetti Kevin Korth on Piano

Erin O'Meally sings an aria from William Bolcom's opera A View from the Bridge at the James Toland Vocal Competition in June, 2017. Erin placed 3rd in Tier II of the competition. Pianist, Tyler Wottrich

This is the last set of Erin O'Meally's Graduate Recital at the San Francisco Conservatory of Music, Kevin Korth on piano Erin O'Meally is a soprano, and a student of Jane Randolph. She graduated from the conservatory in May 2016. "La Bonne Chanson" Op. 61 by Gabriel Fauré "Une sainte en son auréole" "Puisque l'aube grandit" "La lune blanche luit dans les bois" "J'allais par des chemins perfides" "J'ai presque peur, en vérité" "Avant que tu ne t'en ailles" "Donc, ce sera par un clair jour d'été" "N'est-ce pas?" "L'hiver a cessé"

Erin O'Meally singing "O Let Me Weep" in the production of Purcell's Fairy Queen at San Francisco Conservatory of Music, 2016. Music Director: Corey Jamason Ensemble: San Francisco Conservatory students and alumni

This is a set from Erin O'Meally's Graduate Recital at the San Francisco Conservatory of Music, Kevin Korth on piano Erin O'Meally is a soprano, and a student of Jane Randolph. She graduated from the conservatory in May 2016. "Gypsy Melodies" (in German) Op. 55 by Antonín Dvořák "Mein Lied ertönt, ein Liebespsalm" "Ei, wie mein Triangel" "Rings ist der Wald so stumm und still" "Als die alte Mutter" "Reingestimmt die Saiten" "In dem weiten, breiten" "Horstet hoch der Habicht"

This song is from the Graduate Recital of composers Brian Fitzsousa and Michael Kropf. They both graduated from the San Francisco Conservatory of Music in May 2016. Performers are Erin O'Meally, soprano, and Luke Mayernik on piano. Program notes written by Michael Kropf: Make me a picture of the sun (2015) was written in collaboration with singer and close friend Erin O’Meally for the San Francisco Conservatory of Music’s 6th Biennial Art Song Competition. The text is a poem by Emily Dickinson in which the speaker asks an imagined lover to paint them a picture, to be kept in the poet’s room, of springtime and warmness. The poet then asks the lover to “skip” fall and winter in their conjuration of nature. The poem’s exploration of isolation and escapism connects in to our own time, in which electronic media encourages us to “paint” pictures of a warm life while skipping the “frost upon the lea.” Text: Make me a picture of the sun— So I can hang it in my room— And make believe I'm getting warm When others call it "Day"! Draw me a Robin—on a stem— So I am hearing him, I'll dream, And when the Orchards stop their tune— Put my pretense—away— Say if it's really—warm at noon— Whether it's Buttercups—that "skim"— Or Butterflies—that "bloom"? Then—skip—the frost—upon the lea— And skip the Russet—on the tree— Let's play those—never come!

Erin O'Meally singing Oh! quante volte for a Master Class with Deborah Voigt at the San Francisco Conservatory of Music on December 9th, 2015

Erin O'Meally singing at the Boston Conservatory in 2013